WHERE FORMS BECOME ICONS
Every Gerald Charles watch begins with a shape. The case is the visual language of the brand: so distinctive, so deliberately crafted, and impossible to forget.

TWO COLLECTIONS EVOLVING TOGETHER
Both the Maestro and Masterlink cases express the same Gerald Charles design philosophy: pushing mechanics beyond its limits to give form to creativity. While the Maestro transforms an asymmetric shape into an architectural signature that is incredibly difficult to manufacture, the Masterlink creates a dynamic equilibrium of different curves and straight lines, achieving remarkable strength and fluidity.

Gerald Charles at its most complex: a Baroque-inspired asymmetric case that explores the tension between geometry and movement, precision and art. A sculptural case that carries the Maison’s signature language to its most elaborate expression.

True to the Maison’s signature asymmetry, the Masterlink reveals a case which retains the iconic “smile” at 6 o’clock, while the upper profile evolves with sharper, more squared lines, bringing a new architectural strength to the design.
CASE MATERIALS
From the hypoallergenic medical-grade stainless steel to the elegant rose gold. From strong titanium to the ultra-light forged carbon.

Grade 5 Titanium

Stainless steel

White gold

Rose gold 4N

Forged carbon

The iconic smile at 6 o'clock
Baroque asymmetry has long informed Genta’s aesthetic, giving shape to a joyful, creative signature that remains central to his timeless design language. The distinctive “smile” at 6 o’clock is its clearest expression: a subtle concavity that evokes the curved façade of Borromini’s architecture.


The Borromini inspiration
For the iconic Maestro case, Mr. Genta found inspiration in a 17th-century Baroque monument by Francesco Borromini in Rome. Two visionary minds, connected by a cultural dialogue between Switzerland and Italy: Genta, of Italian heritage and shaped by art; Borromini, born in Italian-speaking Switzerland before bringing his architectural genius to Rome.
CASE FINISHING
The Maestro case demands a level of finishing far beyond the industry standard. Its asymmetrical geometry, unlike conventional round cases, requires every curve and surface to be treated individually, an exceptionally complex process that enhances the rarity, precision and unmistakable identity of the design.


Darkblast®
Darkblast® is a proprietary Gerald Charles finishing technique that uses a precise combination of powders applied at specific pressure to create a uniform surface with optimal light absorption, a soft velvet-like touch and high resistance. It is not a coating, but the natural surface of the material itself is worked, refined and enhanced to reveal its intrinsic character.


Hand polishing
The Maestro case is finished entirely by hand, with meticulous polishing that preserves its complex geometry and requires four to five times longer than standard case finishing. Each component is individually inspected before final assembly.


Precious stones set by hand
Each gem is individually cut to follow the Maestro’s irregular bezel, with three distinct stone cuts created to trace its curves. Unlike standard baguette setting, each geometry is adapted to the case, turning complex engineering into a seamless expression of asymmetry and light.


Diamonds catching light
Diamonds are set into the bezel by hand with extreme care, following the geometry of the case and creating a discreet brilliance.





